The Albatross is a video installation concerned with the transmission of Avian Influenza as a symptom of degraded ecosystems attributed to human behaviour. Samuel Taylor Coleridge’s 1798 poem The ...
St Sebastian: Plague Memory is a multi-channel AV immersive installation responding to the pandemic. The project shows infected tissues of the human body undergoing pathological transformation under the witness ...
As part of the apocalyptic tradition, Emmett’s video confronts us with the human impact on the natural landscape to reveal the continued toll humans leave on the planet. The ...
Sequence 5 from CHARLES DARWIN film, in collaboration with Eberhard Kranemann at C.A.R. (Contemporary Art Ruhr) Director’s Lounge, the UNESCO World Heritage Site, Zollverein. Kranemann-Emmett look to the precarious ...
The German-English collaboration of Kranemann-Emmett seeks to infect the familiar with an experience of a world beyond the familiar. Kranemann-Emmett look to the precarious forces within evolution, mutating the ...
Double Skin creates photogrammetric data of an industrial site through film and sound, in order to corrupt the original understanding of the location. The work deprives the building of ...
Space Interface II inverts architecture from the point of its production to the site of its reception, providing a gestalt-shift for architectural understanding. And as such considers film as ...
Immersive sound performance for the opening of the new Blavatnik Building, Tate Modern, London. The Bullroarer soundscape connects us to an expanded sonic horizon, from the most primitive sublanguages ...
Commissioned by Dinnebier Licht, Mathew Emmett & Eberhard Kranemann performed live at the Lichtturm Solingen light tower, formerly a water tower located on the edge of a nature reserve. ...
Space Interface is a current international collaborative project between Emmett and the renowned electronic musician/artist Eberhard Kranemann (co-founder of Kraftwerk, NEU! Piss Off, aka Fritz Müller Rock). The work ...
Interpreting themes of the frames as intervention, together with the spatial exploration of viewing cones, field of vision and angles of projection, we assembled a series of suspended and ...
Vection-Builder creates an anti-environment that challenges our understanding of spatial perception. Sited within the hidden vaults of The Roman Baths, architectural cues are spliced with digital frames of light ...
180 degrees of trauma exploits moments of violence and rupture in order to investigate notions of vandalism, trauma and the three-dimensional manifestation of extreme occupation.
The work appropriates unexpected apertures ...
The architectural interpretation of The Book of Revelation. These visions question the need to imagine other realities, whether located in physical space or virtual environments. Often referred to as ...
By emphasising the dual location of perception and cognition Overlaid Realities merges the sensory experience of the museum with the environment of the ‘other’, hosting participatory relationships, whilst converging ...