OVERLAID REALITIES, Cabinet Peninsula Arts, Plymouth, 2010

By emphasising the dual location of perception and cognition Overlaid Realities merges the sensory experience of the museum with the environment of the ‘other’, hosting participatory relationships, whilst converging interdependent processes. The installation blurs the defined boundaries between museum exhibits and visitors by integrating the observer within the system being observed and creating participatory architectural experience. Notions of second-order cybernetics and technoscience as well as post-phenomenology are explored in the design.

overlaid-realities-01
overlaid-realities-02
overlaid-realities-03
overlaid-realities-04
overlaid-realities-05

Cabinet Peninsula Arts
Dr Mathew Emmett and Dr Sana Murrani

Special thanks to: David Strang.

SPACE INTERFACE II, KARST + REDUX IVT, Plymouth, 2016

THIS IS WHERE WE ARE, Tate Modern, 2016

SIGNAL TRANSDUCTION, Lichtturm Solingen, Germany, 2016

THE BIRTH OF MEMORY, The Place, London, 2016

SPACE INTERFACE, Weithorn Galerie, Düsseldorf, 2015

OPEN STATE, Tokyo Art Centre, Japan, 2015

THE MIRROR BLUR, Plymouth City Museum / TATE, 2015–2016

ERGOTIZED SPACE, Academy of Arts, Berlin, 2014

ILLEGAL ARCHITECT FILM SCORE, London, 2013

ASYNCHRONOUS PERCEPTION, Lucerne, Switzerland, 2013

VECTION BUILDER, The Roman Baths, Bath, 2010–2012

180° TRAUMA, Military Hospital, Germany, 2012

THE BOOK OF REVELATION, interpretative studies, 2004–

PSYCHOTROPIC SPACE & CAUSAL ENVIRONMENTS, 2011–

DRAWING, NOTATION, MAPPING & DIAGRAMS, 1996–

JURASSIC CHALLENGE, Dorset, 2004

3D SOUNDSCAPES, 2 Marsham Street, London, 2000

PERFORMATIVE SPACE, London, 1996–2007